With Rick Kleffel for KBCZ and KSQD (NorCal), 4/29/22
The Candy House may think the future, the past and the present are all traps, but by any name you care to summon, they still taste sweet.
The Candy House may think the future, the past and the present are all traps, but by any name you care to summon, they still taste sweet.
“I was handwriting postcards to friends of friends, saying, ‘I have a reading, will you come?’”
“In a way, what the book does is simulate this experience of being in a collective consciousness and moving in and out of people’s minds.”
Get Lit, the WNYC book club: Live from WNYC’s Green Room, with audience questions:
“The only time any kind of radical structural form works is if I can find a story that can only be told that way. It involves a lot of waiting, and a lot of trial and error.”
“I conceived of The Candy House as a book about space, and I think that’s why the word “house” is right in the title”
“In the end, all the good ideas and fancy craft approaches get you absolutely nothing if there’s no emotional content.”
“I was a baseball mom for many years—I’d barely ever been to a baseball game before I had children, and I now have a pretty thoroughgoing knowledge of minor league baseball parks in America, and I’ve come to love baseball.”
“The Candy House cautions: be careful of things that at first appear inviting”
“I guess to do something fully, you have to believe it will change everything.”
“I know it’s all there in my mind—so why can I see some memories and not others?”
“It’s fascinating how to visit a place is to visit all the times you’ve been in that place. Spaces hold stories.”
“The sheer imagination, adventure, and majesty of Egan’s writing is impossible to quantify.”
The author discusses “What the Forest Remembers,” her story from the latest issue of the magazine.