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For The Keep
IVillage
ivillage: Stuff We Love
October, 2006
Wednesday, March 15, 2006
Read the Review
"When Halloween comes around this year, forgo the tired old horror movies and curl up with National Book Award nominee Jennifer Egan's new novel The Keep...Part gothic romance, part ghost story, and peppered with Egan's startling insights into the role of communication and loneliness in contemporary life, this is one brainy page-turner that will have you leaving the lights on at night."--Amy Shearn
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Seattle P-I
Seattle Post-Intelligencer
September 15, 2006
Monday, March 20, 2006
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"Jennifer Egan is one of the most gifted writers of her generation...The risk-taking writer has created an original, postmodern take on the gothic thriller."--John Marshall
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Philly Inquirer
The Philadelphia Inquirer
September 14, 2006
Saturday, March 25, 2006
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"Filaments of suspense fan out in all directions...The whole book is surprising; you just don't realize how surprising until the end...The book itself is a stronghold of imaginative story telling, the last stand of the Gothic novel."--Dorothy Lehman Hoerr
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Boston Phoenix
The Boston Phoenix
September 26, 2006
Saturday, April 1, 2006
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"At the heart of The Keep is a love story with so much pull, its bruises can be found on almost every page. Like an old spirit who refuses to go away, this is one fantasy that haunts long after its physical end."--Sharon Steel
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Seattle Times
The Seattle Times
September 15, 2006
Wednesday, April 5, 2006
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"An experimental novel wrapped in gothic velvet...as tautly paced as a classic thriller."--Moira Macdonald
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NYT Book Review
The New York Times Book Review (Cover)
July 30, 2006
Saturday, April 8, 2006
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"Jennifer Egan is a refreshingly unclassifiable novelist...Egan sustains an awareness that the text is being manipulated by its author, while at the same time delivering character and story with perfect and passionate conviction. Very few writers, in our time or any other, have been able to bring that off...the dazzling presentation makes us believe that it really is a matter of life, death and salvation...The result is a work both prodigiously entertaining and profoundly moving."--Madison Smartt Bell
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Chicago Tribune
Chicago Tribune
August 13, 2006
Monday, April 10, 2006
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"The events that transpire are so surprising and provocative, the humor so wry, the sheer pleasure of reading "The Keep" so great, one instantly feels impelled to read it again, an impulse that is grandly rewarded, so masterful is Egan's foreshadowing, so nuanced and mysterious is the story. Gothic and chthonic, "The Keep" is satirically sublime." --Donna Seaman
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The Los Angeles Times
The Los Angeles Times
July 30, 2006
Wednesday, April 12, 2006
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"A novel as daring as Jennifer Egan's "The Keep" makes us think hard about one of the murkiest mysteries of all: the mystery of perception, that uncertain border where reality and imagination meet...irresistibly suspenseful...A novel like "The Keep" shows us what it's like to live outside of today's categories and to exist in unreal situations, in dreams, in confusion, in the experiences of others."--Joanna Scott
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The Atlantic Monthly
The Atlantic Monthly
October, 2006
Thursday, April 13, 2006
Read an Excerpt of the review
"Egan’s third novel...is a strange, clever, and always compelling meditation on the relationship between the imagination and the captivities (psychological, metaphysical, and even physical) of modern life."--Joseph O'Neill
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The New Yorker
The New Yorker
August 21, 2006
Friday, April 14, 2006
"This neo-gothic tale conjures a wicked form of therapy for BlackBerry-addicted urbanites...Egan's clever scenario presents Danny's mental liberation as both thrilling and dangerous--imagination is the ultimate drug, she suggests--and the novel luxuriates in Wilkie Collins-style atmospherics."
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USA Today
USA Today
August 10, 2006
Friday, April 14, 2006
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"Arresting...insightful and often funny, so fluid that you actually have the sensation of sinking into these lives...strange and beautifully drawn, a place well worth visiting." --Susan Kelly
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The Onion
The Onion
August 31, 2006
Saturday, April 15, 2006
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"With The Keep, Egan breaks the mold from page one. Her muscular, lively prose achieves a haunting effect...[The book] maintains a frightening, vertiginous velocity...And the immersion in these high-stakes psychological tightrope acts gives The Keep a page-turning horror...outstanding." --Donna Bowman
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The Minneapolis Star-Tribune
The Minneapolis Star-Tribune
July 30, 2006
Sunday, April 16, 2006
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"Jennifer Egan is a contemporary American storyteller in the vein of Stephen King or "The Sopranos" scriptwriters. Her latest novel, a slightly gothic tale of love and the (possibly) supernatural, is a pleasure to read...Egan's eye and ear for contemporary America places the whole saga too close to home for fantasy." --Emily Carter Roiphe
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The Boston Globe
The Boston Globe
September 3, 2006
Sunday, April 16, 2006
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"If Kafka's Joseph K. and Lewis Carroll's Alice had a son, he would have to be Jennifer Egan's Danny...No matter how many symbols and zany subplots she juggles...the novelist keeps the action moving and the irony biting." --Merrill Kaitz
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People Magazine
People Magazine
August 21, 2006
Tuesday, April 18, 2006
*Critic's Choice* (Four stars)
"Dazzling...Egan gets everything right--from the convolutions of the strung-out male mind to the self-deceptions of a drug addict--and her skill will keep you marveling at the pages that you can't help turning." --Francine Prose
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SF Chronicle
San Francisco Chronicle
August 23, 2006
Wednesday, April 19, 2006
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"[A] remarkable piece of work...Egan effectively echoes the works of Gothic writers such as Ann Radcliffe ("The Mysteries of Udolpho") and Horace Walpole ("Castle of Otranto"), fusing a seemingly moribund genre with elements borrowed from the metafictions of John Barth, Italo Calvino and others. It's tricky; but it's a trick only a terrifically talented writer could pull off." --Ron Antonucci
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Rocky Mountain News
Rocky Mountain News
August 11, 2006
Thursday, April 20, 2006
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"The complicated plot comes together seamlessly, marvelously. The characters crackle with life...their pain palpable and strangely inevitable. It's a novel that engages and haunts the reader, a psychological who's-who, who-dun-what and how-do-they-go-on. The Keep is a fast and furious read, a perfect summer novel." --Ashley Simpson Shires
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Elle Magazine
Elle Magazine
August 2006
Friday, April 21, 2006
"Visionary...at once hyperrealistic and darkly dreamed...With Egan's powers of invention running at full tilt, The Keep reads like a twenty-first-century mash-up of Kafka, Calvino, and Poe, in which the absurd meets the surreal meet the unspeakable--to edgy, entertaining effect." --Lisa Shea
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O: The Oprah Magazine
O: The Oprah Magazine
August 2006
Saturday, April 22, 2006
"Roiling and captivating...As you finish this novel, part horror tale, part mystery, part romance, the mind lingers over it, amazed by how vivid Egan has made it, how witty, how disturbing, how credible, and yet how utterly fantastic."--Vince Passaro
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The New York Observer
The New York Observer
August 7, 2006
Sunday, April 23, 2006
Read the Review
"Intelligent, intense and remarkably intuitive...Jennifer Egan gives us the satisfying thunk of a fully understood, if unexpected, kind of sense." --Nan Goldberg
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The Washington Post Media Mix
The Washington Post (Media Mix)
July 30, 2006
Sunday, April 23, 2006
"Egan is an exceptionally intelligent writer whose joy at appropriating and subverting genres and cliches--from prison memoir to Gothic ghost story--is evident on every dizzyingly inventive page."
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Vanity Fair - Elissa Schappell
Vanity Fair
August, 2006
Monday, April 24, 2006
"Jennifer Egan spins a haunting tale...Egan's brilliance is in balancing the deliciously creepy elements of gothic-castle novels with the dead-on realism of a prisoner's life, to create a book worth keeping."--Elissa Schappell
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Time Out
Time Out
August 3-9, 2006
Tuesday, April 25, 2006
Read the Article
"The Keep is an example of literature responding to current events not with a mirror but an artful mindfuck." --David Bahr
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The Oregonian
The Oregonian
August 6, 2006
Wednesday, April 26, 2006
"Half tall tale, half literary experiment, Jennifer Egan's "The Keep" is more than the sum of its parts...Egan lets her writing romp...How she weaves the story of these four people together--and the unexpected links between them--is fascinating." --April Henry
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Amazon.com
Amazon.com
June, 2006
Thursday, April 27, 2006
read review
"In Jennifer Egan's deliciously creepy new novel, two cousins reunite twenty years after a childhood prank gone wrong changed their lives and sent them on their separate ways...To reveal too much would ruin the story, just know that The Keep is a wonderfully weird read--a touch experimental in terms of narrative, with a hefty dose of gothic tension and mystery--balanced by an intimate and mesmerizing look at how the past haunts us in different ways. "
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Kirkus Reviews
Kirkus Reviews (starred)
5/15/06
Friday, April 28, 2006
"Intelligent, challenging and exciting. . . . The characters' emotions are so real, the author’s insights so moving, that readers will be happy to be swept away."
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Library Journal
Library Journal
5/16/06
Tuesday, May 2, 2006
"An engrossing narrative told in prose that’s remarkably fresh and inventive."
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Booklist
Booklist
5/19/06
Saturday, May 6, 2006
"Atmospheric and tense, this is a mesmerizing story."
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For Look at Me
"Brilliantly unnerving....A haunting, sharp, splendidly articulate novel."
—The New York Times
"Egan goes deeper, surprising us again and again. [She] limns the mysteries of human identity and the stranglehold our image-obsessed culture has on us all in this complicated and wildly ambitious novel."
—Newsweek
"Intriguing....An unlikely blend of tabloid luridness and brainy cultural commentary....The novel's uncanny prescience gives Look at Me a rare urgency."
—Time
"Egan has created some compelling characters and written provocative meditations on our times....[She] has captured our culture in its edge-city awfulness."
—The Washington Post Book World
"Comic, richly imagined, and stunningly written....An energetic, unorthodox, quintessentially American vision of America."
—The New Yorker
"Look at Me is a complicated novel...but the questions it raises are worth following a lifetime of labyrinths toward the answers."
—Los Angeles Times
"Ambitious, swiftly paced....Egan writes with such shimmering élan that it's easy to follow her cast on its journey."
—The Wall Street Journal
"Prescient and provocative....The characters...jump from the pages and dare you to care about them....The prose is crisp and precise....The pieces fit together at the end with a satisfying click."
—Philadelphia Inquirer
"Propelled by plot, peppered with insights, enlivened by quirkily astute characterizations, and displaying an impressive prescience about our newly altered world, Look at Me...takes us beyond what we see and hints at truths we have only just begun to understand....Few recent books have so eloquently demonstrated how often fiction, in its visionary form, speaks of truth."
—Salon.com
"Look at Me makes us think about our trust in the images that bombard us, and what we give away in the process."
—Chicago Tribune
"Egan's rich new novel...is about bigger things: double lives; secret selves; the difficulty of really seeing anything in a world so flooded with images."
—The Nation
"Egan's take...is surreal and profoundly ironic and exaggerated, but it still rings true....Beneath it all, she finds characters worth saving."
—Hartford Courant
"Breathtaking....combines the tautness of a good mystery with the measured, exquisitely articulated detail and emotional landscape of the most literary of narratives..... Sure to leave readers thinking about these very real characters for some time to come."
—BookPage
"An imaginative, well-paced read with serious questions about the elusiveness of meaning inside the gilded cage. Egan has intelligence to burn but plenty of feeling too."
—People
"Part mystery, part cultural critique, [Look at Me] masterfully entwines the novel's secondary characters, building to a conclusion that is unexpected and disturbing, and making an incisive statement about our society's obsession with fame and glamour."
—San Francisco Chronicle
"Riveting....As the book gains momentum, Egan's writing is both fluid and driven, with wonderful slashes of satire....A remarkable study of our culture (where we all seem to be wearing masks) and of our palpable need to be known."
—O: The Oprah Magazine
"Egan has created a compelling world....With [her] graceful prose and vivid characterizations, she navigates her plot lines' churning waters with admirable skill."
—Seattle Weekly
"[A] scintillating inquiry into the complex and profound dynamics of perception. Egan...animates a superb cast of intriguing and unpredictable characters, and tells an elegantly structured, emotionally arresting and slyly suspenseful story."
—Newsday
"Dark, hugely ambitious....As riveting as a roadside wreck—and noxiously, scathingly funny."
—Elle
"Intelligent and refreshingly dark, Egan's eerie tale has the same mesmerizing pull as the culture it skewers."
—Us Weekly
"Fresh, accurate, clear and inventive....The vocabulary, the crisp, graceful sentences, the intelligence of tone, all suggest that behind the narrative is a consciousness, and behind the consciousness a writer who knows what she's doing."
—Francine Prose, The New York Observer
"This masterfully plotted work bears the stamp of a perceptive—if not clairvoyant—writer whose disturbing vision...rings all too true."
—SF Weekly
"Egan's ability to move with ease between sincerity and satire sets Look at Me apart....Her authentic-feeling details give a sense of unusual immediacy."
—Vogue
for the Invisible Circus
"If there were justice in the world, no one would be allowed to write a first novel of such beauty and accomplishment."
—Pat Conroy
"Wonderful....words glide through her fingers and enter the pores like cool San Francisco fog"
—Los Angeles Times Book Review
"Mesmerizing....told with great assurance and power....Ms. Egan portrays the sisters with a quiet, heartbreaking clarity."
—New York Times Book Review
"Brilliant in its authenticity and overwhelming passion."
—Boston Globe Book Review
"A trip that takes the reader through stunning emotional terrain."
—The New Yorker
"Evocative....an auspicious first novel for a very promising writer."
—The Washington Post Book World
"A lustrous, intelligent novel that ultimately is less about an era than about timeless human yearnings."
—The Philadelphia Inquirer
"Wonderful....a triumph....told beautifully and energetically....by a writer who dances right along the scary edges of the material without ever losing control of it."
—The Boston Sunday Globe
"Jennifer Egan's The Invisible Circus is a real page-turner. Dramatic, suspenseful and beautifully written, it is also a thoughtful evocation of the world fo 1960's European radicals, featuring some memorable characters of the past and present."
—Robert Stone
"Elegant and brilliant....spellbinding, heartbreaking, and told by a master."
—Cosmopolitan
"A wonderfully light, but finely tuned first novel. Jennifer Egan writes beautifully, her prose evocative and her plot considered and intriguing."
—Orlando Times
"Extraordinary....Egan's gift for storytelling captures the era with extreme ........Her writing is so fresh that it raises goose bumps and causes the heart to race. One can hardly wait for her next work."
—The St. Petersburg Times
"A startling book, full of unexpected words and sentences. And ideas. Jennifer Egan is a highly original, unusually intelligent writer."
—Alice Adams
"Adroit....The Invisible Circus deals with a number of compelling themes....[Egan] infuses this book with considerable intelligence and sensitivity."
—-Baltimore Sun
"Punches home like a blow to the stomach."
—Elle
"Egan attains an electrifying level of emotional intensity that translates into some the most vivid and original descriptions of place found in recent fiction."
—Booklist (starred review)
—"Searing....keenly observed....remarkable for its shapeliness and control....Egan's strongest suit may be her language."
—New York Newsday
for Emerald City
"Fiction writers are connoisseurs of memory...Jennifer Egan, a writer of understated elegance, is no exception, and it's clear that she retains keen memories of girlhood, that quicksilver time of eagerness and fear, vulnerability and conviction. She nmined this deep vein with great success in her bittersweet novel, The Invisible Circus, and it fuels her boldly modulated short stories, tales of displacement and blazing moments of truth...riveting, vaguely Hitchcockian...piercingly tender...outstanding."
—New York Times Book Review
"Lustrous...these stories sparkle with Egan's fresh imagery and precise renderings of mood and place...A writer of tremendous intelligence and grace."
—Philadelphia Inquirer
"Affecting accuracy...quiet but disturbing...She deftly depicts the ways in which women can create glamorously detailed personas for one another based on passing observations."
—Time
"Masterful...Discovering Egan in the nineties is like discovering Ann Beattie in the eighties."
—Entertainment Weekly
"Distant settings and enticing writing...all bear the unmistakable stamp of a rising talent at work...Egan takes chances, ventures afar."
—Seattle Post-Intelligencer
"Immensely appealing...Told with dazzling insight and emotional daring."
—Elle
"A seamless collection...displays a gift for cool, clean, wrenching prose. Jennifer Egan has modern life down pat, and in this smartly crafted collection, she hands it over."
—People
"Astounding...The wistfulness of her characters, her transcendent prose-concise and lyrical-and the consistently high caliber of stories in this collection mark Jennifer Egan as a tremendous talent."
—Detour Magazine
"Egan displays wonderful empathy toward people who are standing at the brink of life; her tales celebrate the power of hope and redemption. Like a necklace in which every stone is a stunner, Emerald City will take your breath away."
—Glamour
"Accomplished...sharp eye and effortlessly graceful prose...She brings us to the transcendent place where reality becomes illusion."
—New York Newsday
"Ms. Egan's voice is boundless...The moment of change is so carefully constructed in each story, so fascinating in Ms. Egan's offhand way, that one recognizes a great new writer."
—The Dallas Morning News
"Egan displays a mastery of voice for a young writer...Her voice moves easily and accurately between the characters, her stories as beautifully crafted as they are darkly moving."
—Charlotte Observer
"Egan's writing is even more assured and convincing than it was in her debut novel, The Invisible Circus...a writer of admirable ambition and accomplishment."
—Publisher's Weekly (starred review)
—"Each of these stories comes fully loaded with believable characters, a story arc, a resolution-all the satisfying elements that seem so elusive in modern fiction. Egan is a generous, gifted, and spellbinding writer."
—Booklist (starred review)
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